look the hearing thing here's the deal George and I were talking I was calling for a path talk
experiencing it on the TV I told George this feels weird it's as if people are the two
exploit it now and George you also had an incredible series that was released this year and you were
contacts of mine and George has said to us that they prove to us that that objects have come
worried about me and George I'm worried about Chris Sharp because you know he's working in the UK
out mine and George's sources this shit got crazy so how do I like your question was how do I feel
experiences it showed me that people are trying to shape the narrative George and I are trying
split up and covered twice as much favorite part of each series what stood out to you George
it's a great series you guys got to watch it man in george house surprised were you that on tape
I was so protective of George when he showed me the footage I'm like they're trying to
was it was so cool you should definitely check it out I'm so grateful to be working with George
time together I think it's gonna be really exciting here there's a lot of stuff coming at us George
know for sure is full crap George been at this longer than me why is this important I'm an
make a breakthrough that was George Naps like silver lining he said to me in the car right up
but here's the deal I think George and I would go to our grave saying that is true there's technology
going to rely on George fucking nap and journalism I'm going to rely on grant I'm going to rely on
can't this is too too long a conversation but but the thing is is like George and I tried to
you lie about something like a little thing in our business like me and george if you knowingly lie
or public George was supposed to testify he told them what he would offer i was supposed to testify
room man to see if i had videos and that kind of thing if George and i had collected stuff it was a
George can answer this he has seen this for forty years it is being covered up why George why
George nap and Jeremy Corvall thank you so much that's okay you know not to be the dead horse