Let's see. I cover a case in Australia, Africa, South America, Chile, England, Russia, China,
Canada, Alaska, across the United States. This is a global phenomenon. Has there ever been a
you feel internally with that? Thank you for that intro. That was lovely. I never had such a deep
sense of urgency with any film I've made in the past as I've done with the program because
National Archive and all these other, you know, or old books like the Little Rensens or
recognizable walking on the streets like everybody knew Kenneth Arnold. And he was going to go on a
just a little side story, but he was going to go on like a tour, he wrote a book, and he was going
project sign, yeah, which started at some point in 47 or 48. Then you had project grudge. So
That was the early 47 since then you've encountered quite a quite a few stories of people
lives of every man, woman and child on this planet. And we have to remember that. And I look into
their soul. And that's what I do. And I, and I remind them of that. Like, this is so much bigger.
Colonel Charles Hall talked about with the Ben Waters case in 1980 was that this again,
he was a plane that came in from Germany and it was some US unknown government agency that stepped
Paul Shardall got that message, like, hey, these guys are showing up and they did at North
and Air Force base and Paul had just processed film footage of a landing of a disc at at
labels. I'll go to the late afternoon. Three discs coming in at high altitude. They get over the
base. Two of them peel away. And then the third one in the middle oscillates down and he goes,
that you were showing the footage by Paul Scharnel? He's like, well, some men in suits showed up.
There we go. Either later that day or first thing the next morning took the footage from Paul
amazing. We wouldn't be talking about Calvin. It wasn't for him. You know, but I never took my
off that case. And as soon as I read that first article, I was like, oh my gosh, I gotta go to
Scotland. I gotta cover that because it's amazing. And new developments are constantly happening.
We put in the movie of the program. If you have any information on this case, like, you know,
it's the same thing for Virginia. All these cases, I mean, they're, you know, people are starting
to come out of the woodwork and people are starting to feel a little safer. We're living in an
unprecedented time right now. Witnesses are starting to feel a little more comfortable. It's more,
say, mainstream, but it's more acceptable to be talking about these things. I'd like to find
the pilot who is flying that hairier jet. You think he got Bill film footage of it?
Yeah, I'm sure he did. Yeah, he also got a visit. He probably got a visit too. But he flew all
around and I was told that because if you look at that photograph, yep, got that perfect diamond
or disc, right? And I was talking to Craig Lindsey, the RAF press officer. And I was like, what do
that goes behind it. And not only the work, the emotional sort of ups and downs that you have to
put aside to get the work done. And that weighs heavy when the project ends because now you have
limelight. If people had a behind the scenes look at what it took for us to make a moment of contact
and to get those people to come forward, we worked on them for years, years, just to find them.
And, but so we're like, oh my God. So, you know, we're hours outside of South Pallow and he's
driving around and I'm like, dude, you need to, you need to get to someplace secure and back that
maybe maybe five or six, but we only really have two good solid leads on maybe two or three of
the captures. One was with military police officer Marco Turezzi and the guy driving the car,
And it's proof. Yeah, it's seismic.
But I'm sitting there going, what the hell is going on? And the one thing that I've really learned.
Just because something sounds really outlandish and really unbelievable, don't have that knee jerk response of just quick dismissal.
2006. I think that was. Yeah, that's pretty compelling. We don't have a photograph. A photograph was taken. Yeah, apparently.
And it's out there somewhere. It's got to be more than one to. Oh, yeah, I'm sure I'm sure it had cameras. I mean, there's cameras everywhere.
You know, it wasn't shiny. It was a dull. I don't know what you call it in the map, finished maybe.
And this is what I had a hard time with. If something was to leave in my mind, it should pivot up and go like an airplane would. This did not do that.
I do want to eventually get into some questions. So we have interns here. We call them interns at area 52 and they pay a monthly subscription.
And we take some of their questions, which we're going to ask you in a second. But before I get into that, I got I got two questions to get through here.
Well, people are people and there's some good people and some bad people and some
people that actually legitimately want this information out.
I was like, well, can I take a picture of the two?
He goes, no, no.
And for those who don't know, a secure eyes,
compartmentalized,
No signal led line entering or exiting.
Yeah.
So anyway.
So this gentleman's walking in.
He's Air Force Office of Special Investigations.
And so he walks me through this hallway.
And when we get up to two doors in the hallway,
there's a door on the left and a door on the right.
The door on the right is closed.
The door on the left is open.
And there's like an all-blown, shaped table and probably two women and three men
in suits nicely dressed, having a meeting.
And I'm stopping.
He says, wait, wait right here.
I'm going to get somebody else.
So I'm standing there in the hallway and I couldn't help but to look over to my
left. And I'm looking over to my left and I'm fully eavesdropping in their
conversations, right?
I'm looking at them and what else I supposed to do, right?
So I was like kind of eavesdropping and then they looked over at me and this guy
got up quickly and abruptly and close the door in my face.
But I was like, well, how could I not look?
I mean, you know, they're having a conversation to give.
I was the converter.
I'm not going to ask you what they said, but was the conversation anything pertinent?
Or was it just?
They're, they're, they have this omnipresence.
They're global.
Like who are they?
arrows got a bad rap.
Oh, yeah.
Get out of swear on my life.
It's what he said to me.
some framework outside of the government that
really knows what's going on.
And he tried to shoot at it.
Well, it's really dramatic.
hidden, you know, and I have witnessed, have witnessed that up close.
The aliens getting out of the of the spacecraft and walking around.
I had my phone and I was sitting on this little leather sofa and I was staring
But I believe sometimes I'll believe something just enough to put it out there
and it's like, let's pray to God that other first hand witnesses will come
Lizzo knee.
What do you think it is?
Do you remember my favorite color?
Blue.